Having already caught Petar watching one of his films and unaware of the details of Vukmir’s film, Miloš is hesitant to participate and continue his career, but accepts to secure his family’s financial future. Lejla (Katarina Žutić), a former co-star, offers Miloš a starring role in an art film directed by Vukmir ( Sergej Trifunović), an independent pornographer, who wishes to cast Miloš for his powerful erection. Marija is curious about her husband’s past and is concerned about the family’s income. His brother, Marko ( Slobodan Beštić), a corrupt police officer, is attracted to Marija. Do you want to know what it is about? I warn you you’ll want to go to the nearest FYE find all the copies and have a bonfire! (Puts his face in his hands.) Here we go: Semi-retired porn star Miloš ( Srđan Todorović) lives with his wife, Marija ( Jelena Gavrilović), and six-year-old son, Petar (Luka Mijatović). You know how there are feel good movies well this is a feel like shit movie.
A serbian film gifs movie#
This movie makes me want to rethink ever watching any other movies ever again. The difference for me is that I usually dislike films of this nature because of their wantonly exploitative nature serving no narrative purpose that purpose, however, exists in 'A Serbian Film', making it all the more disturbing and relevant.This movie is perhaps no not perhaps it is the worst movie ever made. This is one of those rare pieces of celluloid which will most likely not allow for any neutral point of view, like 'Mondo Can(nibal)e', or Pasolini's 'Salo', or the collected films of Catherine Breillat. Being born in Romania, which has an equal share of ethical bankruptcy, I must admit that if this had been made in Romania, and called 'A Romanian Film', I would be very very mad.
That being said, I completely understand why Serbs were outraged at this film. I was in Serbia for a festival last year (prior to this film's release), and cannot help but remember how similar some opinions and stories I heard were to the views expressed in this film. And most important of all: the underlying anger appears to be real. The acting, especially Sergej Trifunovic as psychiatrist-turned-porn producer Vukmir, is nothing short of (disturbingly) wonderful. The technical specs are top-notch for such a limited budget. And yet, 'A Serbian Film' is still unmistakably a piece of art. I would have very much favored an incorporation of the (presumably Western) consumers of the kind of pornography it deals with, for that remains the film's weakest aspect: the social commentary is quite accurate, but not sufficiently explored. the complete and total moral decay of our times. Yes, it's definitely reveling in the very muck it pretends to criticize, i.e. What's very interesting is that apart from some suggestive shots hinting at pedophilia and the extension of the film's most gruesome, unforgettable scene, it's all there, only left to the imagination - leaving me with the question I've come up with whenever confronted with such a case: if censorship leaves certain aspects to the spectator's imagination, isn't the effect even more stimulating? Yes, 'A Serbian Film' undoubtedly runs for the title of the yuckiest film ever.
I've written a book and some articles about film censorship, so given the controversy looming around this particular film, and its highly interesting release history in the UK (read wikipedia for more), I got my hands on a pre-release uncensored copy.